Since the provocative Marcel Duchamp’s ‘Fontaine’ (fountain,1917), contemporary artists have been playing with ready-made objects more or less successfully; if the shifting significations’ game is strongly linked to a sense of humour, it might work I think ( but I am not always convinced!).

These are mops and a chained link fence , called ‘Mops Extrusion’,
2006, by Michael Delucia (NY, 1978); one can see his new work in Brussels till February 7 (Galerie Nathalie Obadia).

About louvain95

A lover of visual arts.
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